As for instruments, they are less details as violins and guitars has a lack of crisp and detail, Pianos are too rounded and warm sounding and trumpets sounds a bit too dark that its loses it brilliance. To all the EDAs, EDA "Hi-res" is absolutely the cleanest bass reproduction to all of them.Īmong the EDAs of being V-shape sounding, it has the steepest one as mids are definitely recessed, it has a warmth on it and also a way too linear in my liking that it really affects the quality on vocals especially on female, its too lean, less engaging and subdued. It is similar to EDA " balanced" in a sub bass quality but the mid bass is a bit too transparent in my liking as it gives a hollow sound on bass kicks, a dull sounding bass guitar ( Au revoir growl and rasping licks, slaps and frets) and a more shallow vocal quality bass baritone. Both sub-bass and mid-bass are equally on a leaner texture in general sound signature of this IEM. This kind of bass will please reference-neutral lovers, it is tight, clean and precise. This is actually my preferred bass quality of all three EDAs as it is well-balanced, lessens its mid bass smearing to other frequency range spectrum and cleaner response. It is more of a sub bass focus one, as it has more define resounding quality in overall bass region while mid bass has acceptable texture to give a thudding sound of bass kick, a more somber sound on bass guitars and decent deepness of a bass baritone voice. Despite of these good quality on its bass, there is a caveat on this one, that apparent bass bleeds that sometimes smudge over the mids that will affect the vocals and some instruments.īass quality on EDA "balanced" has an ample texture, has a fair punchiness and very precise. Mid bass is definitely is well-texture as it gives a more growl on a bass guitar, a thunderous sound of a bass kick and a deeper pitch vocals of a bass baritones. For its sub bass performance, it has a good depth that I discerningly hear the grumbling especially on bassy and electronic bass elements from some tracks in synthpop, hip-hop and some current modern pop genre. It has a solid, good impact and depth that bass heads really want on the low frequency quality, a boomy bass. Comfortable for long time wearing as well.To all the EDAs, this is the most bassy one among the trio. Even with vigorous exercise, it will still securely fit in the ear. It’s scientifically molded to fit the ear like an customized earbuds. The cavity is made based on large data of cochlea. It fully reflects the cohesion of balanced armatures The ZS10 Pro overall has dynamic low frequency and bright resolution. The PCB board is added to give full play of all the drivers, displaying a smooth, sensible, detailed music experience. The detachable gold-plated 2 pin cable offers fully upgradability and the limit slot protection design greatly avoids the pin from breaking and prolongs the service life of the interface The two different material not only presents an elegant look and shimmer but also be practical and durable. The faceplate is made of 304 stainless steel while the cavity is made from imported resin. It also adopts the second generation Tesla double magnetic dynamic unit While maintaining the previous performance, the high frequency of this model is extended to beyond 40kHz. With this configuration, the sound is transient, dynamic and bright in all respects. As an upgraded version of KZ ZS10, the Pro features self-customized balanced armatures which includes two 30095 drivers for high frequency, two 50060 drivers for mid frequency. Upgraded 4BA+1DD Hybrid Earphones&Magnetic Dynamic Unit.KZ ZS10 Pro in Ear Monitor Headphone, KZ HiFi Earbuds Headphone with 4 Balanced Armatures and 1 Dynamic Drivers for Drummer Musician
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